bio

I love experimental performance. I treat art as a medium for redefining memory and designing a future that's sharp in its care and open to what is different. I find myself in ballet ethnicity and its failure potentials. In my practice, I search for what is tender and choreopolitical. I move at the intersection of deviation and chimerism. These are models of pleasure, fantasy, silliness, fragmentarity, and collective imagination. I believe that choreography goes beyond working with the body - it is a radical and alternative method for rethinking the world anew. My research explores (post)communist simulations and speculative fiction. I strive for a total experience.

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Queer artist working in the fields of choreography and performance. Graduate of PERA School of Performing Arts in Northern Cyprus. Nominated in the 10th edition of the Forecast platform (Berlin). Choreographer of the performances SISTERS (Sophiensæle, Berlin), F***ball (Galeria Foksal, Warsaw), idontlikemetut(yo)u (Scena Robocza, Poznan), and Czyż nie dobija się koni? (AST, Cracow). Artistic resident at Agit Lab (Águeda), Kielecki Teatr Tańca (Kielce), and Exis Dance Company (Athens). Recipient of grants from the Adam Mickiewicz Institute, the Culture Department of the City of Bytom, and the EFFEA and Culture Moves Europe programs. Member of the IN SITU platform 2025–28. Co-created works including Swans (Opera Teatr Wielki, Poznan) (FEDORA Audience Award), Bal na placu (MSN, Warsaw), Practice of Seeing (Teatr Nowy, Lodz), and The Mind is a Still Smoke in an Endless Space (EANT, Kigali). Performer in the productions Little (Pantomima Theatre, Wroclaw) Sodoma and Japi (Teatr Nowy Proxima, Cracow), ELEGIA. BRAHMS. (Łanźnia Nowa, Cracow), and in the film PTPD (DHL, Limassol) as part of the 23rd Cypriot Choreography Platform.